/ 01
Path-traced light, choreographed
Cycles path tracing against hand-built HDRI environments. Reflections that bend across the fender instead of sitting on top of it.
Cycles · Path trace3D Craft.
A BMW M4 GT3, modelled and sculpted in Blender. Clearcoat, carbon weave and a single orbital camera move — every frame yours to scrub.
01
Approach
Light is the material.
Every panel is a decision about where the highlight lands. We build the look before we build the render.
We don't render cars. We direct light around them until the metal behaves like weather — clearcoat reading as glass, carbon weave catching the last of a studio softbox, a single orbital move that never looks like a turntable.
Art direction, look development, simulation and grade handled in one pipeline — so what we approve in review is exactly what lands in the cut.
02
Capabilities
Built for the close-up.
Four systems, one obsession: making CG metal behave like it was photographed.
/ 02
Subdivision-level topology
24.8 million polygons, modelled and subdivided in Blender with no LOD seams. Brake vents, weave alignment and cockpit switchgear at millimetre authenticity.
24.8M polys
/ 03
Camera as choreography
One 420-frame orbital move, timed to the second and scrubbed by the viewer. No turntable. No dead frames. No autoplay required.
Scroll-locked
/ 04
Graded for the master
AgX colour management, filmic halation and a delivery pass built for 4K–6K hero films, social cutdowns and interactive web embeds.
AgX · 4K–6K0frames
Rendered at 24 fps
0sec
Single orbital move
0M
Polygons, no LODs
0%
CG — zero plates
03
Specification
Precision, frame by frame.
What sits behind the twenty seconds of hero film.
Path-traced global illumination
Physically based bounce light across high-gloss clearcoat and anisotropic metallic flake — studio reflections that keep reacting as the camera orbits.
Sub-millimetre surface
Brake caliper vents, weave direction and cockpit switchgear modelled to millimetre truth, then held under a macro lens with no LOD degradation.
Interactive scrub engine
Sub-frame interpolation and a 60 fps seek loop turn 420 rendered frames into a tactile timeline that answers to the scroll wheel, not a play button.
04
Process
Three passes to orbit.
Short, opinionated and reviewable at every gate — from blockout to graded master in days, not quarters.
01
Look development
Reference boards, blockout and material studies. We lock the paint, the light and the mood before a single frame is rendered.
02
Simulation & lighting
The orbital rig is built and timed, HDRI environments are dressed, and light passes are approved against the look-dev stills.
03
Render & grade
420 frames at final quality, AgX grade, halation and delivery. Web-optimised masters ship alongside the 4K–6K hero cut.
Blender · Cycles · AgX
A reel you can steer.
Scroll back to the top and take the car apart frame by frame — every panel, every reflection, every second of the move.